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Sylenth1 is a polyphonic virtual analog synthesizer. It has four unison oscillators which use an “innovate” synthesis technique that allows the generation of many simultaneous high-quality waveforms in realtime, using only minimal amounts of CPU resources. It also features two “analog sounding” filter sections, which can be taken way past the point of self-oscillation.

These filters incorporate several non-linear saturation stages to produce harmonically rich sounds. Sylenth1’s extensive modulation options offer possibilities to sculpture the sound, and it has a set of six built-in mastering sound-effects. Features: • 4 band-limited unison oscillators in full stereo, each of which can generate 8 voices per note.

This allows a total of 32 simultaneous voices for every note played, producing rich and complex sounds. • 2 “analog-sounding” 4-stage stereo filters per note. Each filter contains 5 independent non-linear saturation functions.

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The filters support selectable low-pass, band-pass and high-pass modes with 12dB or 24dB attenuation. • 16 Notes of polyphony, which adds up to a total of 512 simultaneous oscillator voices and 32 filters in realtime. • 4 ADSR envelope generators per note, which allow sharp attack and release.

• 2 Low Frequency Oscillators with 11 different waveforms each. • 16 Modulation slots with 24 different selectable modulation parameters each. • Easy to use built-in master effects section consisting of an arpeggiator and 7 sound effects: distortion, phaser, chorus, equalizer, delay, reverb and compression. • Arpeggiator with built-in step sequencer, 10 different melodic modes, adjustable pitch, velocity and hold settings. Outputs Step Velocity as a modulation source. • 4-Stage stereo chorus, with 2x oversampling, adjustable delay time, depth, rate and feedback for flanging effects. • Five different types of distortion in full stereo, with 4x oversampling to minimize aliasing artifacts.

• Equalizer with bass and treble adjustment by frequency and amplification. • 6-Stage stereo phaser, with 2x oversampling, an embedded LFO, feedback and frequency spread adjustment.

• Delay module with low- and high-pass filters, unique echo smearing function, ping-pong mode with stereo spreading, independent left and right delay time and adjustable stereo width. • Smooth reverb with adjustable pre-delay, damp, size and stereo width. • Stereo compressor with attack, release, threshold and ratio settings. • Heavily optimized code using high-performance SSE processor instructions. • Easy to use user-interface.

• Fully controllable by MIDI. Knobs can be simply assigned to MIDI CCs using the MIDI learn function. • Sync mode for syncing LFO and delay parameters to host tempo.

• 2 Modes of portamento sliding, which will slide both velocity and pitch parameters in polyphonic or monophonic mode.

TAL-BassLine is a virtal analog bass synthesizer especially made for bass, acid sounds and effects. It’s based on a robust core and has the usual controls of analogue hardware synthesizers. A unique -18dB low pass filter with a lot of asymmetric and random components introduce a warm and analogue sound.